PBOTD 12th June: Kathleen Herald - Sabre, the Horse from the Sea

-
PBOTD for 12th June is Kathleen Herald's Sabre the Horse from the Sea. This is K M Peyton's first book, written (obviously) under her maiden name. It's another that got away. I really, really wanted this book. It was a beautiful copy, and I didn't have one. I gave it 3 months to sell. If it didn't, it was mine. It sold.

Acorn, USA, 1963
It's a wonderfully lyrical work.

K M Peyton was a horse obsessive from an early age. She finished her first book was at the age of nine, though it was never published. Neither were its seven successors. Her first published book, Sabre, the Horse from the Sea, came out in 1948, when she was nineteen. It appeared under her maiden name, Kathleen Herald, as did her next two books, The Mandrake (1949) and Crab the Roan (1953). 

K M Peyton’s actual riding experience as a child was small.  She says:

“I devoured technical horse books from the senior library -- Henry Wynmalen, Sam Marsh, Geoffrey Brooks, Faudel-Philips, R.S. Summerhays,  etc, so I knew a lot of theory but not much else, never laying a hand on a real horse, apart from three riding lessons a year on Wimbledon Common, saved up for  from my pocket money, all I could afford―five shillings an hour.” (interview with K M Peyton)

She had an extensive stable of imaginary horses, each with its own page in her notebook: “I just thought up a new horse or pony every day, imagined how it looked, how it behaved, and wrote it down in my book until I had over 2000. My friend did it too and we discussed our new ones at school every day.” She had no horse of her own until she was an adult, and because she could not have the real thing, made her fantasies live through her books.  In her first book, Sabre, the Horse from the Sea, the writing has the hypnotic, erotic pulse of fantasy. Set in the Second World War, it is the story of Liza, living with rich and unsympathetic relatives while evacuated, who one day comes across a horse emerging from the sea.


“She stood with bare feet in a pool of water left by the receding tide, and looked at the grey. It did not seem strange to her to find a horse standing half in and half out of the sea, no stranger than it felt to be standing there herself. She only thought that she had never seen anything so beautiful as this animal, with the sea-water running down his legs, and with a piece of seaweed caught up in his tail.
She stretched out her fingers to him. His ears came up and forward, and one hoof took a step towards her. She murmured:

‘Come on you beautiful fellow,’ and he walked straight up to her and rubbed his nose on her dress. Liza took off her belt and buckled it round his neck, standing on tip-toe, and holding her breath. But the grey horse only knuckered deep in his throat, and pushed his muzzle against her hips, searching for her pockets.” Sabre, the Horse from the Sea


~  0  ~

Comments

Post a Comment

Popular posts from this blog

Rollkur and the blue tongue

-
I've been meaning to write about this all week, but reading the exclusive in Horse and Hound about the controversy tipped me over the edge. For my non-horsy readers, rollkur is a training/warming up technique used by some dressage riders. It basically involves riding the horse with its jaw pulled in virtually to its chest, in order to increase suppleness. Patrik Kittel , a Swedish competitor in Odense was videoed riding his horse in this way. If you watch the video , you'll see the horse's tongue hanging out - blue. It takes a while before the rider notices this. When he does, he stops, puts the horse's tongue back in, and carries on. There are two things which bother me about this. Firstly, I am fully aware large sections of the dressage world, and some of its brighest stars, consider rollkur perfectly ok, but the FEI guidelines state this practice should only be for short periods, allowing the horse to rest. Patrick Kittel apparently rode the horse for two hou
Read more

Archibald, don't eat the bedclothes

-
Image
My friend Louise sent me this picture today. It's from a children's book with the rather wince-making title For The Wee Ones. I thought, when I read that (because I read the message before I looked at the picture) that the picture was going to be a typical winsome production from the school of artists who think (or who are paid to think) that the child is a thing sent from God and a blissful thing. They had obviously never met a child, and certainly not mine. I should have known Louise better. The artist responsible for Archibald, don't eat the bedclothes slipped this one past the editors. Just look at the poor, broken Mother Rabbit. She knows she has not the faintest chance of being listened to, and poor thing, she is stooped in the way of a mother to whom this is just the lastest in a long line of horror; with nothing good to come. And Archibald is obviously the spawn of the Devil. Just look at those eyes. He'll have the bed after he's finished the bedclothes
Read more

Dick Sparrow - 40 Horse Hitch, and Neil Dimmock's 46 Percherons

-
Image
Here's a clip of Dick Sparrow driving 40 horses. It's an amazing sight, particularly when the shot changes to show the team from the rear and you get the great incongruity of modern American corporate architecture as a background to the wagon and horses. I love the anticipation in the video: the sense of something amazing being just round the corner is palpable. Thanks to Christina Wilsdon for telling me about this world record 46 Percheron hitch (alas just stills) but you get the idea.
Read more