PBOTD 2nd May: Diana Pullein-Thompson - A Pony to School

-
A Pony to School is the third in the Augusta and Christina series, and in it the two girls have equal billing. The first book, I Wanted a Pony, is the story of Augusta. She plays a minor role in Three Ponies and Shannan, but that is mostly the story of Christina. In A Pony to School, Augusta and Christina are now being educated together, because they're sharing a governess. They're approached by a local farmer, Ted Dunne, who asks them to take on his pony, Clown, who's been shoved out in a field and forgotten about.

Collins first edition, 1950, illus Anne Bullen
They agree. What Ted Dunne has not told them is that Clown is a rearer. When I was growing up, the advice you often heard was to break a bottle between the rearer's ears. This did presuppose that you carried a handy bottle about your person, but perhaps if you were a particularly hard type, you did, in the unhappy event that you drained your hunting flask dry. It also supposed that the rear would happen in a controlled enough fashion for you to hang on, whip the bottle out of your pocket, and wield it. And that you weren't fussy about inflicting brutality.

Armada, 1963, cover by Peter Archer
I never saw it happen. And I (thankfully) did not have a handy bottle the only time I was reared with. The horse I was riding was generally very good, but an otherwise obliging lorry slowed to a crawl and inched past us. As he did, a branch scraped along the lorry's side, and it screeched like a banshee. This was too much for my horse, who stood up on end. I remember leaning forwards as far as I could, but the road was slippy, the horse lost his footing and over backwards he came. Fortunately I went one way and he went the other.
Armada 1970s, cover uncredited
Rearing is one of those sins that is supposed to condemn a horse. It didn't in this book, as Clown settles down, enjoys his work, and goes on to Do Good when he takes the place of poor, tetanus-struck Seaspray.

Seaspray's awful fate is one of those pony book scenes that has stuck with me throughout life. Diana Pullein-Thompson didn't pull back from describing the horrors that could assail a horse, and the fate of poor Seaspray meant that whenever I drew up a list of The Costs of Owning a Horse, a tetanus vaccination was always high on the list. The Pullein-Thompsons were always keen on education, and Diana certainly succeeded with this one.

Armada, 1978

The Augusta and Christina series
I Wanted a Pony
A Pony to School
Three Ponies and Shannan
Only a Pony


Those responsible for the covers of A Pony to School appeared to favour the before school, rather than the after.  The first edition, published by Collins in 1950, was illustrated by Anne Bullen, who chose to show a Clown who is going to take off the moment the girl trying to catch him takes another pace. The next two editions, both by Armada, chose the dramatic rearing episode. The first was published by Armada in 1963, with a cover by Peter Archer. The next edition appeared in the 1970s, with another rearing pony, sadly of completely the wrong colour. And, I always think, a rider somewhat overdressed for a hack. The last printing had a photo cover, and appeared in 1978. It showed an entirely more disciplined Clown.

For more on Diana Pullein Thompson, see her page on my website.



Comments

Post a Comment

Popular posts from this blog

Rollkur and the blue tongue

-
I've been meaning to write about this all week, but reading the exclusive in Horse and Hound about the controversy tipped me over the edge. For my non-horsy readers, rollkur is a training/warming up technique used by some dressage riders. It basically involves riding the horse with its jaw pulled in virtually to its chest, in order to increase suppleness. Patrik Kittel , a Swedish competitor in Odense was videoed riding his horse in this way. If you watch the video , you'll see the horse's tongue hanging out - blue. It takes a while before the rider notices this. When he does, he stops, puts the horse's tongue back in, and carries on. There are two things which bother me about this. Firstly, I am fully aware large sections of the dressage world, and some of its brighest stars, consider rollkur perfectly ok, but the FEI guidelines state this practice should only be for short periods, allowing the horse to rest. Patrick Kittel apparently rode the horse for two hou
Read more

Archibald, don't eat the bedclothes

-
Image
My friend Louise sent me this picture today. It's from a children's book with the rather wince-making title For The Wee Ones. I thought, when I read that (because I read the message before I looked at the picture) that the picture was going to be a typical winsome production from the school of artists who think (or who are paid to think) that the child is a thing sent from God and a blissful thing. They had obviously never met a child, and certainly not mine. I should have known Louise better. The artist responsible for Archibald, don't eat the bedclothes slipped this one past the editors. Just look at the poor, broken Mother Rabbit. She knows she has not the faintest chance of being listened to, and poor thing, she is stooped in the way of a mother to whom this is just the lastest in a long line of horror; with nothing good to come. And Archibald is obviously the spawn of the Devil. Just look at those eyes. He'll have the bed after he's finished the bedclothes
Read more

Dick Sparrow - 40 Horse Hitch, and Neil Dimmock's 46 Percherons

-
Image
Here's a clip of Dick Sparrow driving 40 horses. It's an amazing sight, particularly when the shot changes to show the team from the rear and you get the great incongruity of modern American corporate architecture as a background to the wagon and horses. I love the anticipation in the video: the sense of something amazing being just round the corner is palpable. Thanks to Christina Wilsdon for telling me about this world record 46 Percheron hitch (alas just stills) but you get the idea.
Read more