Super rare books are often rare for a perfectly good reason: they're not actually that good. So how does The Wild One measure up to the rest of the series? In it, Lindsay is desperate to protect a wild cat which has appeared in the Punchbowl. Of course, there is plenty of opposition to this view, and Lindsay is even more polarised than normal. Fortunately for her, Roger (of the Romney Marsh series) is staying, and we see the relationship between them deepen as Roger attempts to come to terms with what Lindsay's doing.
I have to say I do find this a difficult book: Lindsay has some difficult decisions to make in her quest to feed the wild cat, and I find the inner arguings she goes through difficult to take. For me, they're uncomfortably close to the sort of obsession that excuses any act if it helps you do what you think is right. It's what decision the author wants us to come to that ultimately matters, and I'm not sure what moral point we're being pushed to here - can one justify any act if the end result is good? I don't think so.
It's not an easy read at all; though the presence of Roger does provide some leavening. It is implausibly neat that the Romney Marsh characters as yet unpaired should find their soul mates at Punchbowl Farm, but if you know your characters as well as Monica Edwards did by the end of the series, it does make sense.
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The Punchbowl Series
No Mistaking Corker
Black Hunting Whip
Spirit of Punchbowl Farm
Fire in the Punchbowl
The Wild One
More on Monica Edwards
Everything you ever wanted to know on Monica Edwards and her books: John Allsup's site