Why Big Pony? Why? The name certainly wouldn't make me buy the scent, but then I'm not the target market. It's a classic of its type, this ad: no old people allowed. NO ONE OVER 30 obviously EVER watches polo.
Oh my goodness! What a lot of happy, well-coiffed preppies. Wonder when the scratch-n-sniff print ad will come out. Gosh, I want to be just like them. Oops, forgot, I'm two decades past the sell-by date and am supposed to be stowed away in a closet by now.
I'm especially amused by Mr. Leonine Hair striking poses. And those pink and yellow pants! Talk about frightening the horses...
Yes, I liked Mr Leonine Hair too, and I liked the many varieties of hard stare into the distance that were crammed into the ad. It's what you do at polo matches, because even at their young age, it can sometimes be difficult to see what's going on.
I've been meaning to write about this all week, but reading the exclusive in Horse and Hound about the controversy tipped me over the edge. For my non-horsy readers, rollkur is a training/warming up technique used by some dressage riders. It basically involves riding the horse with its jaw pulled in virtually to its chest, in order to increase suppleness. Patrik Kittel , a Swedish competitor in Odense was videoed riding his horse in this way. If you watch the video , you'll see the horse's tongue hanging out - blue. It takes a while before the rider notices this. When he does, he stops, puts the horse's tongue back in, and carries on. There are two things which bother me about this. Firstly, I am fully aware large sections of the dressage world, and some of its brighest stars, consider rollkur perfectly ok, but the FEI guidelines state this practice should only be for short periods, allowing the horse to rest. Patrick Kittel apparently rode the horse for two hou...
My friend Louise sent me this picture today. It's from a children's book with the rather wince-making title For The Wee Ones. I thought, when I read that (because I read the message before I looked at the picture) that the picture was going to be a typical winsome production from the school of artists who think (or who are paid to think) that the child is a thing sent from God and a blissful thing. They had obviously never met a child, and certainly not mine. I should have known Louise better. The artist responsible for Archibald, don't eat the bedclothes slipped this one past the editors. Just look at the poor, broken Mother Rabbit. She knows she has not the faintest chance of being listened to, and poor thing, she is stooped in the way of a mother to whom this is just the lastest in a long line of horror; with nothing good to come. And Archibald is obviously the spawn of the Devil. Just look at those eyes. He'll have the bed after he's finished the bedclothes...
Here's a clip of Dick Sparrow driving 40 horses. It's an amazing sight, particularly when the shot changes to show the team from the rear and you get the great incongruity of modern American corporate architecture as a background to the wagon and horses. I love the anticipation in the video: the sense of something amazing being just round the corner is palpable. Thanks to Christina Wilsdon for telling me about this world record 46 Percheron hitch (alas just stills) but you get the idea.
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I'm especially amused by Mr. Leonine Hair striking poses. And those pink and yellow pants! Talk about frightening the horses...