Thursday, 27 August 2015

Review: Victoria Eveleigh - Katy's Pony Challenge

The Katy stories were what established Victoria Eveleigh as an author. I read those when they were first out, and loved their inspired rejection of the pink, frilly and sentimental. The stories were picked up by Orion, re-written, and after an excursion into an excellent pony series centring around boy hero Joe, Victoria has returned to Katy and her Exmoors.

Victoria Eveleigh never disappoints, and this book is another triumph. One of the things I so enjoy about this author is her fearlessness. If you write pony stories, you can, frankly, churn out any rubbish you like as long as it has the requisite pony in it.  Talking about the 1950s, children’s author Geoffrey Trease said ‘In those days you could have sold Richard III if you had given it the right wrapper and called it A Pony for Richard,’ but it’s just as valid now. Victoria Eveleigh does not do that. Katy’s Pony Challenge looks at what you do when you can’t actually ride your pony, for whatever reason. And what you do when you decide that actually, equine competition is not for you. And at how you can still be involved with horses, no matter what difficulties you have.

Katy discovers horse agility, which is a big help to her as she tries to train her foal, Tinkerbell, with whom Katy has made some pretty major mistakes in her upbringing, not realising that a foal rearing up and putting its hooves on your shoulders might be cute when it’s only weeks old but is an entirely different thing when the foal weighs several times more than you do. I suppose you could say that in some ways this book does carry on that great central trope of the pony story - the morality tale. You learn how to train a foal properly from the off, that competition isn’t the be all and end all and neither in fact is riding, and that just because someone is different, doesn’t mean that you should reject them.

This could make the book one of those you read but feel uncomfortable about, because although you support the ideas behind it, the way it’s done makes it difficult to clear the awful hurdle of authorial superiority. There is absolutely no danger of that here. I think what makes Victoria Eveleigh’s writing so successful is her utter lack of sentimentality. There is plenty of deep feeling, but she never writes for effect; never wrings her readers’ emotions in order to get a reaction. She writes about difficult things: Katy’s jealousy when Trifle and autistic James have an instant bond is a beautifully done scene. Katy and her friend Alice’s Facebook lives are rather different from what’s actually going on in their lives. Friendship is sometimes very difficult indeed.

Katy’s Pony Challenge is a beautifully written addition to the series. It’s difficult to see how you could fail if you’re buying this for a pony mad child, or indeed for yourself.

~  0  ~ 

Thanks to Orion for sending me a copy of this book.

Orion, 2015: £5.99
Kindle: £3.99, Kobo: £3.99

Age of main characters: 12-13?
Themes: autism, managing friendships
Equine themes: horse agility

Tuesday, 25 August 2015

Kate Lattey - Pony Jumpers: First Fence, Double Clear and Triple Bar

I have kept putting off this review until I can read episode four, and the very newly released episode five Five Stride Line, but I am going to give that up. Not because I'm not enjoying the stories, because I am, very much, but  time to sit and read and consider seems to be eluding me at the moment.

The Pony Jumpers is a series of novellas, each centring on a different character from Lattey's earlier Dream On. This very much plays to the author's strengths. There wasn't a character in Dream On that I didn't enjoy, or who I felt was poorly realised. Each of them read as if they were complete people, who could step out of the novel at any time and walk off into their own story. And Kate Lattey has picked up some of those characters, and allowed them to their own stories. 

The series gives you thoroughly enjoyable, character-driven stories loaded with authentic content: just what we have come to expect from this author. She wrote them at great speed, which on occasion shows. The ending of the first book, First Fence, does feel a little rushed. The shortness of the format, and the focus on a single character, leads to plot strands in the previous episode not necessarily being developed in the next. 

Those are minor quibbles though. 

First up is First Fence. It's the story of AJ, Squib, Katy, Deb and a parade of ponies. AJ finally gets a pony of her own (the talented Squib) but life with ponies isn't quite the dream she thinks it will be. AJ makes friends with Katy, who seems to have everything made, with ponies and a knowledgeable mother on tap. First Fence looks at what happens when you have a major falling out between friends when even horses aren't enough to weld them together. It's the usual excellent read we’ve come to expect from Kate Lattey. Her skill with dialogue and the nuances of family life is really outstanding. I particularly loved the scene between AJ and her older brother Anders, in which they can only answer each other in one word. It’s so much the sort of thing that families do, but which lesser writers will miss out in the searing search for plot.

The book is followed by Double Clear. Double Clear switches focus to Katy. Katy looks to have everything set up for another successful season, but as is often the way with horses, it all goes wrong. Her family life is complicated, and made more so by the reappearance of the father she's learned to despise. There were a few loose ends in this book: I wondered why Katy didn't take up with her mother the discrepancies she found in her parents' account of why they split up. Nevertheless, Double Clear is a a really good read, and I did enjoy the way in which the author presents alternative views of the ways characters behave are presented.

Triple Bar features Susannah, a character I loved from her previous appearance in Dream On. She was such a fascinating character, who behaved so badly, but who still stuck to doing what she loved. Triple Bar takes a longer and thoroughly worthwhile look at Susannah, and what drives her. Susannah has been ostracised by the other riders. Whenever she appears, skirts are twitched, bosoms of disapproval hoiked, and no one speaks to her, unless it's passive aggressive whispers they hope she'll hear. I was intrigued by a character who's brave enough to keep up with what she loves despite all this. Triple Bar delves into what makes Susannah and her family tick. 

The whole series is worth it for Triple Bar alone, but I recommend First Fence and Double Clear too. 

~  0  ~

Kate Lattey, 2015. Kindle: £2.00

Kate Lattey, 2015. Kindle: £1.99

Kate Lattey, 2015. Kindle: £1.99

Age of main characters: teenage
Themes: family relationships, divorce, bullying
Equine themes: show jumping

Wednesday, 5 August 2015

Patricia Leitch, 1933-2015

Patricia Leitch, author, died on 28th July 2015. She wrote over 30 pony books, but she was anything but a genre writer. With A Dream of Fair Horses, and her Jinny series, she wrote books that transcended the usual girl plus pony story. Pat's heroine Jinny and her wild Arab mare Shantih were not the wish fulfilment that many pony book heroines are to their readers - the people who have what you most want in the world. Jinny was far more than that. To many of her readers, Jinny spoke directly to their hearts and souls. Her struggles to understand her world were theirs.

Many people have written about their feelings since Patricia died, but the one that went straight to my heart was written by Sian-Valerie Shipley:
"Patricia Leitch, there aren't words for the things you taught me... Courage, stubbornness, tenacity, a willingness to accept my own fallibility, and most of all, the deep and abiding love of a horse. I cherish every letter we exchanged. Wherever you are, know that every time I ride, every time my horse flies beneath me, I will think of you, you and Shantih will be with me, closer than breath."
Pat's funeral was held yesterday, 4th August, and Pat's relation, Maureen Russell, gave the following tribute, which I reproduce below, together with pictures of Pat Maureen has very kindly sent.

Pat was a supporter of the Hessilhead Wildlife Rescue Centre, and it was the charity her friends chose for donations in her memory. You can reach the charity here.

Pat’s Tribute

Pat was born in the Brabloch Nursing Home in Paisley, which later became a hotel, and the family lived in Hagg Crescent, Johnstone. Her sister Anne came along nearly three years later. The family moved to Cheshire and then Anglesey. Pat had a grammar school education and not surprisingly shone at many subjects especially English and Art. Pat and Anne grew up and led independent lives. Pat was devastated when Anne died of cancer when she was 40. Losing her only sister was a terrible blow to Pat and she carried the heartache for many years. 

Pat and Kirsty, her Highland cross mare
Pat’s character [was like] Jinny; strong willed, adventurous and brave - and perhaps she really was the Arab mare Shantith – never truly tamed, spirited and free. In the last decade when her health began to fail Pat struggled to come to terms with the loss of mobility and her independence. There was no compromise to be made with the frailties of the body – but Pat’s spirit could not be quenched – she always remained essentially the same Pat. 

Pat and Kirsty
Going to church was important to Pat. For many years she was a member of the Old Kirk and switched to St Fillan’s – I guess for more practical reasons than religious –I was giving her lifts! Pat made many friends in both churches. She had a deep faith; she questioned and probed Christian teaching, not taking it for granted – she would catch the minister at the church door and probe them on one or two points – keeping them on their toes! 

Pat and her bearded collies, Meg and Misty
Pat kept in touch with friends. Those further away she phoned regularly. Pat was prolific in her correspondence – she liked pen and paper and disdained emails and text messages! Pat received letters from fans of her books from all over the country and abroad. She had a particular friendship with Heather, a prisoner in England. Pat loved children – she had the gift of communicating with them, delighting in them and they responded to her. Pat knew our grandson Kyle, now nearly 7, from an infant and delighted in hearing the stories he made up. Not having family members herself, Pat’s close friends were her family. She cared deeply about her friends as they did for her. During the last seven months Pat was wonderfully looked after in Woodside Care Home at Quarriers. She came around to seeing she needed their round the clock care and found peace and won the hearts of the staff there. 

Pat, Maureen, and Pat's last dog, Lhaso Apso Meggie
Pat's last outing in June

Kathleen Pennington [a longstanding friend of Pat’s], says she came across a quotation the other day from a book Pat gave her many years ago, which is so much Pat: 

Speak to us of Friendship
"And in the sweetness of friendship let there be laughter,
and sharing of pleasures.
For in the dew of the little things the heart finds its morning
and is refreshed".

Pat touched the lives of all kinds of different people. Her work will live on in many, many people’s lives. She has left the world her wonderful books, her generous spirit will be remembered, and we are all the better for knowing her and loving her: I am glad she came into my life and it was a privilege to know her - God bless and thank you. Maureen

You might also like to read Pat's obituary in the Herald, Scotland, written by Maureen Russell.

~  0  ~

All photographs copyright Maureen Russell.

Tuesday, 30 June 2015

Review: Sue Jameson - Pony Tails

Pony Tails is a collection of four stories, written by actress Susan Jameson, who obviously knows her ponies. Each story features a different native breed: Connemara, Welsh Cob, Shetland and Exmoor. There’s a common theme of girls and their love for ponies, but each of the stories plays out in a very different, but just as satisfying, way.

One thing they have in common is the sheer force and quality of their dialogue. The author has an excellent ear, and captures family bickering, conversation between friends, and business dealings equally brilliantly. In the first story, a Connemara pony is sold on and on as he’s small and backward. I loved this bit, when the colt is sold yet again:
“Sure, doesn’t little Maureen ride him on her own, and her not four yet?”
The dealer seemed to remember that little Maureen was “not four yet” last year either, but decided to let that pass.
The stories are full of acute bits of observation like that. There’s Wendy, now an Exmoor teenager involved with bikers who remembers her pony-mad girlhood, and Rosie and Charlie, desperate to help the poor young Connemara. Lucy bonds with a Shetland assailed by sweet itch, and Clare has a very torrid time with her new pony, a Welsh cob mare. 

All these stories integrate the adults into the stories as well as they do the children: there are no extraneous characters simply there to move the story on. Everyone has their part to play. The author is also extremely good at reflecting family dynamics. In the Connemara story, Rosie and Charlie cause a family row by asking if they can have the poor little Connemara, Mickey. Their Mum accuses them of being selfish and only thinking of themselves; to Rosie and Charlie, of course, they’re being anything but, because they’re thinking of the welfare of the pony. And neither side quite understands the other.

These are four excellent stories, from an author who I hope will carry right on and give us more. This collection is one of the best things Forelock has published.

~  0   ~

Sue Jameson: Pony Tails

Age of main characters: 10-13
Themes: family relationships, change

Equine themes: native ponies, rescue, Pony Club, Shetland Grand National.

~  0  ~

Monday, 29 June 2015

Review: a brace of Forelock books - Lucy Johnson and Ken Lake

It's been months since I did any sort of blog post. My dad died unexpectedly shortly after I wrote my last post, and I've found it tremendously difficult to get my brain into any sort of gear for reviewing.

Anyway, kind Forelock sent me their most recent books, and I also found in a huge and much overdue study tidy up one of their earlier ones, so I'll be reviewing three of their titles over the coming days.

First up is Lucy Johnson's Pony Racer. Pony Racer takes a well known trope – the suffering child who is redeemed through the love of a good horse, and places it in this rosy-hued story of foster families and racing. Hero Tom has been taken away from his mother who has unspecified mental health issues, and who neglected and ill treated him. The effect this produces on Tom is to make it very hard for him to trust. He is convinced that he will soon be shipped away from the Heaven family (yes, really) and returned to his mother. He has been driven in on himself, and finds the only way he can communicate is via the pony, Leo.

Tom, as you might expect, turns out to have a particular gift for riding, and is extraordinarily good at working out what horses are feeling - often the case with abused children, whose safety often relies on being hyper-aware of others’ feelings so that they can take avoiding action. Tom progresses very fast with his riding, aided by the Pony Club and visits to a local racing stable, and finds he is particularly keen on racing. 

Lucy Johnson makes Tom‘s ups and downs sympathetic, but I found myself feeling oddly distant from the character. Tom sometimes comes out with statements that sound oddly over-mature. Not that that’s impossible – children do come out with this stuff. I think it’s more that here, the child’s voice doesn’t sound like them – as if they’ve momentarily stepped out of the room, and a completely different person has stepped in. I felt the same thing on occasion with Tom's foster brother and sister, who seem surprisingly ignorant at times for horsy children. The episode where Tom has to tell Emily and Ted not to chase the ponies when they're trying to catch them was puzzling - surely any children of a horsy family would know perfectly well that wasn't going to work?

However, this doesn’t happen so often that it disturbs the flow, unlike Forelock’s persistent, and extraordinarily irritating, inability to use the comma, which leads to you having to stop and re-read a sentence until you have the sense of it because the lack of punctuation has destroyed the meaning.

That aside, this is a competent story with a very well drawn racing background with which the author is obviously very familiar. The riding and racing scenes are well done, and the author writes a good pony. She has an eye for the idiosyncrasies that make a pony character come alive. I liked the human characters – I liked them all, in fact – but my sympathies weren’t 100% engaged with any of them.

Lucy Johnson: Pony Racer

Age of main character: 9 
Themes: foster children, child cruelty, mental health

Equine themes: pony racing, Pony Club, National Hunt racing

~  0  ~

Next up is Ken Lake's A Year at the Yard. A Year at the Yard is one of those books where horses talk to each other. Don’t expect a Ponies Plot though – this one is definitely aimed at the younger reader. A Year at the Yard is the story of a livery yard, the horses and ponies who live there, and their riders. During the year, there is a show, a visit to a beach, birthdays, Christmas and some Suffolk Punches ploughing. There are varied horses and ponies, riders ranging from the young to the old, and the oldest stable hand in the world, Jim, who is often confused about the humans at the yard, but never about the ponies. One of the ponies, Priti Pony, can read people’s thoughts, which proves helpful in moving the plot on.

There is rather a lot of plot - I felt the book was possibly over long for its target market, and for me, the book needed a strong central character around which to weld the year’s events. Jim is the nearest it gets, but the veering between lucidity and confusion was confusing, and the other characters are fairly obvious stereotypes. This is, however, a story with plenty of warmth, and certainly nothing to worry or upset the infant reader. 

Ken Lake: A Year at the Yard

Age of main characters: varies from around 8 to old age
Equine themes: livery yard life

~  0  ~

Many thanks to Forelock for sending me these books.

Comments are closed on this post.

Thursday, 16 April 2015

Isis Model Horses - a Rival to Julip

Julip Model Horses had the rubber (or latex) model horse field pretty much to themselves in the 1950s, but by the 1960s competition began to spring up from rival firms Isis, Pegasus and Otway, and Julip appeared thoroughly spooked by the competition. Their advertisements took on a distinctly panicky tone: “Beware of imitations!” they begged.

Pony Magazine, April 1963
Otway and Pegasus, as far as I can tell, only lasted a couple of years, but Isis Products provided more sustained competition in the early 1960s. The company’s founder, Margaret Hughes Hartmann (1929-2006) grew up in the docklands of Cardiff. She desperately wanted to be a vet, but money was short, and her older brother’s education ate up what money there was. He eventually became a paediatrician. Margaret trained as a teacher, and then married Cyril Hughes Hartmann, an historian and writer, and contemporary and friend of CS Lewis and Tolkein. Cyril and Margaret’s daughter Carola was born in 1956: she was one of twin girls, the other of whom was stillborn. As was common at the time, the baby’s death was never spoken of. Carola had no idea about the existence of her twin until she was in her teens, although when she was very young, and learning to talk, her mother told her she would often ask where the other girl was. After her mother died, Carola found a sculpture of a baby’s head and shoulders, whose eyes, Carola said, “seemed somehow dead.” Carola believed this was the only way her mother could mark the death of the baby she had not been allowed to hold.

This sculpture was strictly for private consumption: the sculptures by which Margaret made her living were inspired by the passions of her surviving daughter. Carola loved ponies and Margaret began to make model horses and ponies out of rubber with manes and tails made out of real hair. Exactly when the company started, I am not certain. The earliest advertisements I have found are in Pony Magazine, and date from May 1962. They show what looks like an established range of horses and riders, and it seems likely that the company probably started a few years before this. Isis Products was named after the Isis River, on which the family lived, and at first were made at home. When the company took off, Margaret employed two staff, and moved the company to a workshop in the village of Eaton Hastings, near Faringdon in Berkshire.

Unidentified Isis model © Pam Wakelam
Isis Walking Pony © Pam Wakelam
The company had a small range of horses and ponies, riders and tack, made in the workshop, with jumps being made by a local supplier. The company sold their horses through mail order, and produced catalogues (sadly I have never seen one) which listed their models and accessories.The models I’ve seen mentioned are: walking horse, walking pony, hunter, Thoroughbred, child’s pony, walking foal and standing foal. I have never come across any of these in the flesh (rubber?) and for an idea of what they actually look like have had to rely on the advertisements I’ve found in the equestrian press, and the lovely Pam Wakelam, who’s been kind enough to supply photographs of her own collection of Isis horses. Pam was able to provide some help on how to tell Isis from other latex models. They look, it must be said, a lot like Julip, but Isis ponies generally don’t have silver horseshoes painted on, which Julip almost always did. In addition, Isis models have flatter sides and bigger heads than Julip models, and paintwork which looks rather thicker. I like them: to me, the Isis models are more finely modelled and altogether prettier than most Julips. You can see more Isis models on this link to the Equorum forum.

Isis Pony Mare and Foal © Pam Wakelam
Isis - Hunter or Thoroughbred © Pam Wakelam
Margaret Hughes Hartmann certainly seemed rather more clued up about the power of advertising than Julip. The earliest Julip advertisements I’ve found used photographs, but by the time the first Isis advertisements appeared in Pony Magazine in the 1960s, Julip’s advertisements consisted of text simply asking people to order early for Christmas. Presumably alarmed by the competition from Isis, and similar company Pegasus, Julip took out an ad in Pony in December 1961 which exhorted their readers to beware of imitations, but made no effort to compete with the other companies’ much more attractive advertisements. Julip still relied on the power of words alone.

Looking at the companies’ advertising strategies from 1962-1965 is instructive. Isis’ advertisements were all accompanied by attractive pictures, with beautifully composed backgrounds, showing off their range. Isis also outgunned Julip in other departments. Pony Magazine ran an annual competition, with prizes donated by publishers, riding schools, and of course, Isis. Julip contributed a prize in 1961 (a horse and bridle), but then donated nothing in 1962. Isis’ prize was a voucher for £2 2s. They continued to donate prizes until the company closed. Each year, they outdid Julip, and because their prize was more valuable, each year they appeared further up the list of prizes.

Pony Magazine, September 1963
Both company’s products were also featured in editorial. It may seem odd to us now, but there was a time when Christmas issues of magazines appeared without a spread of horsey present ideas for you and for your family. In post-war Britain, with rationing in place, it is perhaps not surprising that these didn’t appear until Britain’s economy improved in the 1960s, with Pony Magazine’s first gift ideas feature appearing in 1962. Both companies were mentioned in the feature, and it’s fascinating to read just what was written:
"...if you want less fragile specimens [than Beswick china horses] there is the unbounded range of ponies, horses, riders, stables - a whole riding stable or horse show - produced by Julip Associates, the pioneers in the field....Other providers in this field are Isis Products.
Julip quite obviously didn’t like the fact they had competition, and I would love to have read the original communication they sent the editor, Col C E G Hope. Whatever it was, it was strong enough to make him at least give the spirit of it to his readers, whilst also mentioning that there were indeed other providers. Julip backed up their down-with-the-competition attitude with another “Beware of cheap providers” advertisement in the same issue – it was another effort restricted to text only, and appeared buried in the depths of the magazine. In contrast, Isis’ November 1962 advertisement was this very pretty scene, printed just inside the front cover.

Pony, November 1962

Julip fired off another “Cheap Providers” ad in April 1963, and then reverted to text advertisements without feeling the need to snipe at the competition. There was less of it, as Pegasus’ last advertisement appeared in April 1962, after which the company presumably folded. Isis continued to expand, and in November 1963 put out their card game “Tack”, sold in WH Smith’s network of shops as well as directly from Isis. Alas, this, and their rather lovely "Yearling" money box, which appeared in 1966, seemed to be the company’s last hurrah.

Pony, December 1966
I believe that Cyril Hartmann’s illness led to the slow winding down of the company, and Carola told me her mother wound up the company altogether when Cyril died in 1967. Margaret Hughes Hartmann went back to teaching, eventually becoming a Head Mistress. She never gave up sculpting. Sadly, few Isis models remain in the family after a disastrous house fire destroyed pretty well everything the family owned, leaving Carola with just her model donkey. The Isis model her mother made of her beloved piebald pony, which appeared on her birthday cake at her 12th birthday, did not survive.

Isis models provided a fascinating episode in the history of model horses. If her husband’s ill health had not forced Margaret Hughes Hartmann to wind up the company, it’s interesting to speculate just how major would have been the competition they provided to Julip. Certainly, with her keen marketing brain, and her thoroughly charming range, Margaret Hughes Hartmann deserved to succeed.

~ 0 ~

Many thanks to Carola Hartmann, and her husband Malcolm Cooper for the very considerable help they gave me with this piece. Carola sadly died in 2013 . She was a keen writer, and you can find some of her stories here.

Huge thanks too to Pamela Wakeham for supplying all the pictures of Isis models for this piece.

Tuesday, 14 April 2015

Reviews: Elaine Brown - Jackie's Pony Secret and Ponies at Penstorran

Elaine Brown: Jackie’s Pony Secret

Jackie’s Pony Secret opens with Jackie sitting on a train with the lady from social services, on their way to Devon, where Jackie will start a new chapter in her life after the death of her mother. She is to live with her grandfather and his new wife in Devon. Until she gets there, Jackie has had very little to do with the countryside, and even less to do with horses. However, her grandfather and his wife, Elise, have a farm. They keep their own horses, and the other stables are rented out to a riding school, which is of course absolutely ideal if you find you’re keen on ponies, which Jackie does. There are plenty of hurdles to be overcome, however, before Jackie can settle into her new life. 

The first of these is to overcome her instinctive fear of horses, and to learn to ride. If you read this book as a pony-mad child whose knowledge of ponies is limited you’ll absorb plenty of useful information. The instructional stuff is nicely done. Instruction can be difficult to do without it feeling sanctimonious, or breaking the flow of the story with wodges of indigestible facts. Generally, Elaine Brown manages to insert the information seamlessly, and still keep you interested in Jackie’s progress and in what she’s learning.

The story takes place against an interesting set of family dynamics. I particularly like the step grandmother, Elise, who comes over as a warm character, and I like the developing relationship Jackie has with her father, from whom she’s initially distant. Jackie herself is likeable, with a strong sense of what’s right and wrong. The dynamics of her relationships at school, with all its ups and downs, are realistic. I felt that there are occasions the author doesn’t quite have Jackie’s voice straight in her mind: most of the times she speaks pretty much as any 12 year old would, but occasionally she comes out with something that sounds as if she’s considerably older.

Elaine Brown has a real feeling for describing horses and what they’re up to. I could see Tia, and Secret, and all the other ponies trotting around in my mind. She’s also really good at letting you know what a place is like – something authors can often skip over in their headlong rush to get on with the plot.

If I have a criticism of this book, it’s that the author leaves me wanting more. Because she is good at getting into her character’s feelings, I’d have liked to know more about what Jackie’s “aunts” – Grandfather and Elise’s children, who are younger than Jackie, thought about the new arrival into their household, and more of the back story of Jackie’s father’s new relationship. That said, there are a lot of relationships in this book, most of them new to Jackie, and the author does a good job of showing what it’s like to be an uncertain 12 year old thrown into a whole new life. Jackie’s Pony Secret is a good, traditional pony story which allies well developed characters to plenty of authentic pony action.

Jackie’s Pony Secret

Age of main character: 12
Themes: family break up, death of parent, bullying, false accusations

~  0  ~

Ponies at Penstorran
This is the second in the Pony Chronicles series, in which Jackie, Nicole and their friend Joanna are being shipped off to Cornwall for the summer. Jackie’s grandfather and his partner Elise are going to America on a lecture tour, so the girls will stay with Celine, Elise’s half sister. She is described as “quite eccentric and enormous fun,” and she sets the tone for the book. It’s a story of quite some energy, with adventure, ponies and villains. The girls contend with a dastardly developer who wants Celine’s land and buildings, and is prepared to stop at nothing to get them.

That isn’t all there is to the story. The girls have taken their ponies with them, so there’s plenty of pony action, with cross country and beach rides, as well as experiences with the multitude of other animals Aunt Celine has. It would have been easy to make Celine a caricature, with her broken French, but she isn’t. She comes over as genuinely warm (Elaine Brown has a real talent for writing decent adult characters). The girls’ friendships develop and Jackie learns how to tackle a cross country course, a skill she puts to good use. The characters’ voices are more settled in this story; having established them in the first book, the author seems to have relaxed and is able to enjoy them.

The action is believable, and it’s a good, rollicking, holiday read.

Ponies at Penstorran

Age of main character: 12
Themes: friendship, intimidation