Books, Mud and Compost. And Horses.

This is part two of the talk I did at the Bristol children's books conference. You can find part one, which looks at pre-war pony books, and those books that generally didn't deal with war, here . For pony book authors, there is a pretty sharp division by sex which appears to affect whether or not they wrote about the direct effects of the war. All those books that do were written by women, mostly writing about what life was like on the Home Front. They had their own war experiences: Primrose Cumming worked for a year on a farm. One day, a bomber crashed in the field of sheep she was tending. She survived, and used her experience in her book Owl’s Castle Farm (1942). She later joined the ATS and served for the remainder of the war in an anti-aircraft battery. Shirley Faulkner-Horne was married to a pilot who fought in the Battle of Britain. Primrose Cumming’s Silver Eagle Carries On (1940) and Owl’s Castle Farm , Shirley Faulkner-Horne’s Riding with the Kindles

Last week I spoke at the Topsy-Turvy conference at Bristol. Its theme was children's book series, and hobbies. I spoke on the hobbies element, and how the advent of war changed the way horses and riding were portrayed in children's literature at the time. This is (pretty much; I've cut it a bit) the text of what I said. It's split into two parts. If you want to skip straight to part two, it's here. *** Having a horse or pony is a complicated hobby. A horse is not like a stamp collection: something that you can put away in a drawer when you are bored with it. It demands a huge input of physical labour and attention (unless, of course, you have someone to do the work for you). And although now almost all horses are leisure animals, that was emphatically not the case before World War II, which itself changed the relationship of horse and man, reeling it back to a time when the horse was, for many, their only hope of transport and help with labour. That is